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Upon release, Deewaar was both critically and commercially successful, with praise going towards the film's screenplay, story, and music, as well as the performances of the acting ensemble, particularly Bachchan, Kapoor and Roy's performances. It is often considered a ground-breaking cinematic masterpiece, with Indiatimes ranking Deewaar amongst the Top 25 Must See Bollywood Films,[15] as well as being one of three Hindi-language films to be included on the list of 1001 Movies You Must See Before You Die. The film had a significant impact on Indian cinema, as well as wider Indian society, with the film's anti-establishment themes and Bachchan's criminal anti-hero vigilante character resonating with audiences,[16] cementing Bachchan's popular image as the \"angry young man\" of Bollywood cinema.[17][18] Forbes included Bachchan's performance in the film on its list, \"25 Greatest Acting Performances of Indian Cinema\".[19] The film also cemented the success of the writing duo Salim-Javed, who went on to write many more blockbuster films; the value of film writers skyrocketed thanks to Salim-Javed, who were paid as highly as leading actors at the time.[20] Deewaar's influence also extends to world cinema, influencing films from Hong Kong[21] and British cinema.[13]
The film opens with a depiction of the strong leadership of trade unionist Anand Verma, who works hard to enhance the lives of struggling laborers. He lives in a modest home with his wife Sumitra Devi, and their two young sons Vijay and Ravi. However, things took a turn for the worst when Anand is blackmailed by a corrupt businessman who threatens to kill his family if Anand does not cease his protest activities. Forced into compliance, Anand is thus attacked by the very same laborers who jeer him for his betrayal, unaware that he was blackmailed to do so. His family is also persecuted by the angry workers. Out of shame, Anand leaves town, leaving Sumitra to care for their sons alone in poverty. Several of the angry workers kidnap Vijay and tattoo his arm with the Hindi words \"मेर बप चर है\" (merā bāp chor hai; my father is a thief). Not knowing what else to do, Sumitra brings her children to Mumbai and struggles as a day laborer to care for her sons.
Bachchan's \"angry young man\" performance as Vijay in the film was inspired by Dilip Kumar's intense performance as Gunga in Gunga Jumna, which Bachchan sharpened and reinterpreted in a contemporary urban context reflecting the changing socio-political climate of 1970s India.[28][29]
It was perceived by audiences to be anti-establishment, while Amitabh Bachchan's character Vijay was seen as a vigilante angry hero, establishing Bachchan's image as the \"angry young man\" of Indian cinema.[16] With the unprecedented growth of slums across India at the time, Vijay was seen as a new kind of hero, with his suppressed rage giving a voice to the angst of the urban poor.[11][12] Deewaar is also remembered for its iconic dialogues written by Salim-Javed. The most famous is when Shashi Kapoor delivers the line, \"Mere paas maa hai\" (\"I have mother\"), a line that is widely known in India and has become part of Indian popular culture.[44] The film Loins of Punjab Presents (2007) mocked how the line is sometimes wrongly attributed to Amitabh Bachchan.[45] It also established Parveen Babi as the \"new Bollywood woman\".[46]
Deewaar had an influence on Hong Kong cinema and in turn Hollywood cinema, by playing a key role in the creation of the heroic bloodshed crime genre of 1980s Hong Kong action cinema.[48] Deewaar, along with several later 1970s \"angry young man\" epics it inspired, such as Amar Akbar Anthony (1977), had similarities to elements later seen in 1980s Hong Kong heroic bloodshed films.[49] 153554b96e
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