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Starting in the middle of the second season, the writing staff began to draw inspiration from the premise of The Contender (2000). Schur explained The Contender was about a female politician trying to succeed amid intense scrutiny in a political arena dominated by men, which is similar to challenges Leslie Knope occasionally encounters.[114] The financial difficulties Pawnee experiences during the late second-season and third-season episodes were reflective of the financial crisis facing the nation and much of the world when the episodes were produced.[25] The introduction of Chris Traeger and Ben Wyatt as state auditors visiting Pawnee, and the subsequent government shutdown, were inspired by news reports at a time when a number of states considered a shutdown of schools, parks, and other services due to the global recession.[21][115] The third season included a seven-episode story arc about the characters organizing a harvest festival and staking the financial future of their department on its success.[7][116] The festival served as a device to unite the characters, much like the construction pit had earlier in the show. Schur said this was done because the first six episodes were written and filmed early, and the writing staff felt having one concise storyline to tie them together kept the writers focused and, in Schur's words, helped \"organize our tired, end-of-the-year brains\".[10][27] For the romance arc between Leslie and Ben in seasons three and four, The Remains of the Day was used as an inspiration, as a story about two people who are forced not to convey their romantic feelings for each other due to a repressive social system, which Schur compared to modern-day government.[114]
Like The Office, Parks and Recreation was filmed with a single-camera setup in a cinéma vérité style simulating the look of an actual documentary, with no studio audience or laugh track. Within the context of the show, the characters are being filmed by a documentary crew, the members of which are never seen or heard from on-screen. The actors occasionally look at and directly address the cameras, and in some scenes directly engage the cameras in one-on-one interviews with the documentary crew members.[15] The episodes were scripted, but the production encouraged the cast to improvise, and dialogue or performances the actors made up during filming often made the final cut of the episodes.[91][15] Schur said he believes the mockumentary style is particularly fitting for a show about city government because \"It's a device for showing the ways people act and behave differently when they're in public and private [and] the difference between what goes on behind closed doors and what people present to the public is a huge issue.\"[27]
The Parks and Recreation producers approached each episode as if filming a real documentary. They typically shot enough for a 35 or 40-minute episode, then cut it down to 22 minutes, using the best material.[42] Due to the improvisational acting and hand-held camerawork, a great deal of extra footage was shot that had to be discarded for the final cut;[91][117] for example, the original cut of the 22-minute pilot was 48 minutes long.[91] The producers filmed about nine pages of the script each day, a large amount by U.S. television standards.[117]
Despite the similarities in the mockumentary style with The Office, Daniels and Schur sought to establish a slightly different tone in the camerawork of the pilot episode. The one-on-one interviews, for example, sometimes feature two separate camera angles on the same person; the footage is intercut to create the final version of the scene. This technique was inspired by The Five Obstructions, a 2003 experimental documentary directed by Lars von Trier and Jørgen Leth, which Daniels watched at the suggestion of actor Paul Schneider.[94] Another distinction from The Office is while almost all footage from that show is filmed in a workplace setting, the documentary crew on Parks and Recreation regularly follows the characters into more intimate, non-work settings, such as on dates or at their homes.[118] Parks and Recreation also makes frequent use of the jump cut technique. For instance, one scene in the pilot episode repeatedly jump cuts between brief clips in which Leslie seeks permission from Ron to pursue the pit project.[94] Early in the season, editor Dean Holland developed a technique that would be used throughout the series. During a scene in \"The Reporter\" in which Leslie reacts to quotes read to her by the journalist, Poehler improvised several jokes, many of which were ultimately going to be cut from the episode. Holland thought they were all funny, so he created a brief montage intercutting several of the lines.[42]
Principal photography began on February 18, 2009, less than two months before the show premiered.[119] The show faced early production delays because Poehler was pregnant when she signed on, and filming had to be postponed until she gave birth.[28][84] The show was filmed in Southern California.[94] The exterior of the Pawnee government building, and several of the hallway scenes, were shot at Pasadena City Hall.[94] The parks and recreation department interiors, as well as the City Hall courtyard, were filmed on a large studio set sound stage. The set's windows were outfitted with water systems to simulate falling rain, and the windowsills included fake pigeons.[91][108] The set also includes four hallways that make up the hospital setting where Ann Perkins works as a nurse.[118] The construction pit featured throughout the first and second seasons was dug by the episode's producers at an undeveloped property in Van Nuys, a district of Los Angeles. The producers went door-to-door in the neighborhood, seeking residents' permission for the dig.[94] The pit was guarded 24 hours a day.[120] Scenes set in playgrounds and elsewhere outdoors were filmed on location in Los Angeles.[38][94] Most scenes set in locations outside the usual Parks and Recreation settings were also filmed in Los Angeles-area locations. For example, public forum scenes in the pilot episode were filmed in one of the city's middle schools,[94] and a town meeting scene in the episode \"Eagleton\" was shot at the Toluca Lake Sports Center in the Toluca Lake district of Los Angeles.[62] Other Eagleton scenes were also shot at the Huntington Library and Botanical Gardens, located in San Marino. Elaborate festival setting and corn maze sets featured in \"Harvest Festival\" was filmed at a real-life festival setting at Los Angeles Pierce College, a community college in the Woodland Hills neighborhood of Los Angeles.[121][122][123] Schur said an aerial shot of the harvest festival at the end of the episode was the most expensive shot in the entire series.[121]
Toward the end of production on the second season, Poehler became pregnant again and the producers of the show were forced to go into production on season three early and film an additional six episodes to accommodate not only Poehler's pregnancy, but also a projected September 2010 air date.[97][124] After the episodes were already filmed, NBC opted not to put the show on the fall schedule and instead delayed the premiere of the third season until the beginning of 2011.[25][124] This allowed for the network to run its new comedy, Outsourced, in two-hour comedy schedule block rather than Parks and Recreation.[125][126] The schedule change meant that all sixteen episodes from the third season were filmed before any of them were shown;[124] the rest of the episodes, starting with the seventh, were filmed in the fall of 2010.[127][128] NBC chief executive officer Jeff Gaspin said this move was not a reflection on Parks and Recreation, and suggested the extended hiatus would not only have no negative effect on the show, but could actually build anticipation for its return.[125] The move proved frustrating for the cast and crew of Parks and Recreation,[6][129] although Poehler also pointed out it gave them additional time to go back and re-edit episodes or shoot and add new material.[122][127]
Pratt and the other band members played live during filming of the episode, rather than being pre-recorded and dubbed later.[133] One song featured in \"Rock Show\", called \"The Pit\", chronicles Andy's experience falling into a construction pit and breaking his legs.[19] Pratt wrote \"Ann\", a ballad about Ann Perkins, featured in the episode \"Boys' Club\".[133] Schur wrote the lyrics to \"November\", a song featured in \"The Master Plan\" about April Ludgate.[82] In the episode \"Woman of the Year\", Andy claims every song he writes includes either the lyrics, \"Spread your wings and fly\", or \"You deserve to be a champion.\" As a result of that joke, every Mouse Rat song featured in the series since then has included one of those two lyrics.[82] In the episode \"Telethon\", Andy plays the song \"Sex Hair\", about how one can tell whether someone has had sex because their hair is matted.[134][135] In \"Li'l Sebastian\", Andy performs a tribute song called \"5,000 Candles in the Wind\", so-called because Leslie asks him to write a song like \"Candle in the Wind\" by Elton John, only 5,000 times better.[136] The song was performed by the show's cast in the 2020 reunion special.[132][137]
A Mouse Rat album, The Awesome Album, was released by Dualtone Records and Entertainment 720 (a fictional company within the show, created by Tom Haverford) on vinyl, CD, cassette, and digital download on August 27, 2021.[138] The album was announced with the release of two singles: \"The Pit\" (from the season 1 finale, \"Rock Show\") and \"Two Birds Holding Hands\" (from the season 3 episode, \"Andy and April's Fancy Party\"). [139] The album features guest vocals from Nick Offerman as Ron Swanson and Jeff Tweedy as Scott Tanner.[138][140] Pratt stated on Rob Lowe's podcast Parks and Recollection that he was not involved with the project or its promotion.[141] On the weekly Billboard charts, The Awesome Album debuted at number 2 on Comedy Albums, number 11 on Heatseekers Albums, and number 17 on Top Album Sales.[142] 153554b96e
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