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PATCHED Cakewalk.Studio.Instruments.VSTi.v1.0-BEATl ##VERIFIED##
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Once a basic patch has been created, there are further connections to consider to make the sound respond to your MIDI keyboard in the desired way. Using the modulation wheel to apply vibrato is a typical example, so you'd need to patch in the mod wheel appropriately. The row of jack plugs beneath the Mixer section provides the means to route keyboard controllers to the main synth, so in the case of the brass sound you'd firstly patch the output of one of the LFOs to the input of a spare Mixer channel. The output of that Mixer goes to the FM input of Driver 1, and the mixer output should be turned up to the point where the pitch modulation begins to take effect, then backed off until it stops. The mod-wheel output should then be patched to the modulation input of the Mixer channel, and the Mixers' modulation input sensitivity should be adjusted until the desired depth of modulation is reached when the mod wheel is pushed all the way up.
The four key-follow generators have controls to adjust the slope, centre key, range and threshold (the lowest note at which the key-follow slope takes effect). These govern essentials such as the way the oscillator pitch and filter cutoff track the keyboard, and in fact these two functions are easily assigned using the digital displays on the Driver and Filter modules. The key follows can also be patched in via the jackfield to other more esoteric destinations that require a more finely adjustable, non-linear response to the keyboard. Note that each key follow has its own pitch-bend and portamento on/off switch, so performance tricks such as 'double-stopped' pitch-bend of one oscillator against another, or portamento 'trailing' effects between oscillators can be realised. 2b1af7f3a8