Hd Tamil Songs Hridaynath Fix

Hd Tamil Songs Hridaynath Fix

Hd Tamil Songs Hridaynath === https://tlniurl.com/2t7UKS

All the songs from Lekin... were composed by Hridaynath Mangeshkar and the lyrics were written by Gulzar.[13][14] Cine Blitz magazine described the soundtrack as Hridaynath's "most realised work yet" which allows to emerge as "a fully rounded personality".[15] Gulzar was noted for his work as a lyricist.[14] "Suniyo Ji Araj Mhario" is based on the composition in Raga Vihanginee by Pt. Mani Prasad.[16] India Today described the soundtrack as "a blend of Hindustani classical and Rajasthani folk" which is "soothing and soulful".[17]

I did not have to convince her much to sing for my albums. She realized it much before anyone else that the works such as Bhagavat Geeta, Dnyaneshwari and Meera Bhajan are going to outlast her film-songs. We have argued over certain points at times but it was never a fight, always a healthy discussion to make that song better.

Right! There were lot of arguments and counterarguments before we made that album. I was told to get new songs written for the album. I objected; I wanted songs, poems closer to that era. That way we would get emotions which were actually felt at that time. In those years I had many talented poets like Shantabai Shelke, Suresh Bhat, N.D. Mahanor, Mangesh Padgaonkar and Shirish Pai around me, but I wanted a perspective from the earlier times, rather than just get the present day poets to write something new.

Yes. Salilda was my Guru and it was because of his encouragement and efforts, many of my Marathi songs were later recorded as Bengali versions. Whenever he liked a particular song, he would ask me its meaning; then he would write its Bengali version and arrange for the recording. Didi already knew the tunes. So making those Bengali songs required no real effort from my side.

RMIM is a bit calm these days, and also showing some interest in theNon-Hindi music, so let me start a discussion on Marathi music. Marathisongs have been quite rarely discussed on RMIM, so a framework is notformulated for discussion. Let me start with this first.On RMIM, we usually discuss only film music, and sometimes GHazalsoutside films. But a discussion on Marathi music will be essentiallyon a different track as non-filmi music is much more important ! Allowme to vaguely categorize the Marathi music.1. Filmi music - days before Keshavrao BhoLe - The Keshavrao BhoLe era - till late 40s - The Golden Era (Vasant Desai/Prabhu/Pawar, Sudhir Phadke etc) - The decline (except Hridaynath) - Recent years ( Ram-Laxman, Anil-Arun - not much worth here)2. Non-filmi music a. Natyasangeet - The good old days of Balgandharva, Deenanath et al - The grand revival by Jeetendra Abhisheki and Vasantrao Deshpande b. Bhaavgeet - The early days Gajanan Watve - Sudhir Phadke and others - The Arun Date era (MD Yashwant Deo, Shriniwas KhaLe) c. Other important contributions - Bhimsen Joshi's Abhang (Bhajans) - Songs by Abhisheki, Kumar Gandharva, P.L.Deshpande - Geet Ramayan by G.D.MadguLkar and Sudhir Phadke - Music of Hridaynath is a topic by itself - Non-marathi singers MahendraK, Hemantda, Vani Jayram, Rafi, Talat d. Folk music - "tamasha" songs, "laavaNee"Each of these is a topic by itself ! This list is by no means exhaustiveand I am sure others will add to this.3. The poetry in Marathi songs This topic cannot be discussed here, as it's difficult to translate good poetry and many non-Maharashtrians will not be able to enjoy the discussion. But it's imperative to mention something here. The Marathi music is strongly related to the Marathi poetry. Most of the popular songs are great poems. From the saints Dnyaneshwar, Tukaram, Naamdev, Eknaath to Shantaram Athavle, G.D.MadguLkar and to the poets of today Mangesh Padgaonkar, Suresh Bhat and Shanta Shelke. Each has made heavy contributions to the music by his/her poems. Except the Natyasangeet and Music of Hridaynath and Abhisheki, the tunes are simple. But the poetry is always awesome. Almost always. Allow me to mention an interesting trivia here to illustrate this. Prabhat made a movie on Sant Tukaram which was a big success. The lead role was done by Vishnupant Pagnis, whose acting received a lot of praise. In fact, his real life too was profoundly affected by the role ! The music was by Keshavrao. One of the songs "aadhi beej ekale" (meaning : it's just a seed in the begining) became very very popular. The critics couldn't find this Abhang (Bhajan) in any of the compilations of Sant Tukaram. Some believed that, people at Prabhat have unearhted a hitherto unknown Abhang by the saint ! So powerful were the words, so similar was the style, that it fooled all the researchers. The truth is, words were by a contemporary poet Shantaram Athavale !! He has many times teamed up with Keshavrao to give gems after gems. His song "bharati srushtiche sauydarya kheLe" was taken up in school textbooks and his words "don ghadicha daav, hyaala jeevan aise naav" (meaning : ye do ghadika khel, jiska naam hai zindagi) from "Ramshastri" has become a proverb. So you see, the contribution of poets is no less than MDs.We can choose our fav topics, fav personalities and start a discussion.We should also not forget that the RMIM junta is from all the cornersof India and the discussion should be interesting to them too.I am going to write something about Natyasangeet and mainly JeetendraAbhisheki in my next post. Others can add their own views.Hope this interests a lot !- Abhay.Discussing Marathi music for the first time !

> the discussion. But it's imperative to mention something here. The> Marathi music is strongly related to the Marathi poetry. Most of the> popular songs are great poems. From the saints Dnyaneshwar, Tukaram,> Naamdev, Eknaath to Shantaram Athavle, G.D.MadguLkar and to the poets> of today Mangesh Padgaonkar, Suresh Bhat and Shanta Shelke. Each has> made heavy contributions to the music by his/her poems. Except the> Natyasangeet and Music of Hridaynath and Abhisheki, the tunes are> simple. But the poetry is always awesome. Almost always.

I have heard only one one (or perhaps two) songs of this legend. One that Iremember is from MEERAChaalo Man Ganga Jamana TirA masterpiece. Wasn't this Marathi movie also made in Hindi ? I guess othersong I have heard is from hindi version.

It was very refreshing for Abhay to start this discussionon Marathi music. I am a big fan of Marathi music, thoughI may not understand all the words.I think Mangeshkar family has made a tremendous contribution to the Marathi music. They have broughtDyaneshwari, Abhangs of Tukaram, Namdev, Savarkar'spatriotic songs , Shivahi songs into most Maharashtrian homes

"Tamasha songs" are very much a part of Marathi film music as well,particularly famous movies such as Pinjara, Sugandhi kaTTa. Also few otherfamous filmy laavaNyaa by Asha Bhosale include 'haat nagaa laavuu maazyaasaadiilaa' and ' bugadi maazii saandalli ga'.>I don't know whether Suman Kalyanpur can be included hereI always thought she was Marathi. I have known someone by the last nameof Kalyanpur who spoke fluent Marathi.>Kishore sounds abs perfect. Amazing. This, I am positive,>was his first song in Marathi. I don't know if he sang any song later.>There may not be any, as this itself was quite late in his life.I think he sang one or two more songs in Sachin's movies. They were ofsimilar type.>The first name which comes to my mind is Hemantda ! Hridaynath used him>twice. Both times in "koLeegeet" or the "fisherman song". His voice and>his pronunciation suited the song very muchI would disagree with you on this. Hemant Kumar sounds good till thesecond stanza. In third stanza (Lata sings with him only in first twostanzas), he sounds very much non-Marathi, particularly the pronunciationof 'zukatay' and 'chamachamatay'. Also, I wouldn't call 'Gomu sangatine'as a 'koLeegeet'- it is just a villager's song.But Interesting and different thread on RMIM. I would like to discussHridaynath's Marathi music -filmy and non-filmy.Nilesh Savargaonkar

Yes and no. This Raag Puriya-dhanashree composition is a very beautifullove song, but the last verse points to a deeper meaning:niraadhaar mi, mi vanavashi, gheshil kevha maza hridayashituuc' ekala nath anatha, mahima tava gaazeThe lover being called to is God, and the song expresses vairagya--therenunciation of the world. This makes it a bhakti geet in addition tobeing a bhavgeet. I believe songs of this kind are calledbhakti-shringara, where God is called upon as a lover, separation fromwhom causes grief. This song illustrates what someone else, earlier in this thread (can'tremember who--sorry!) pointed out. In Marathi, the link between poetry andmusic is very strong. Great poets (Shanta Shelke in this case; others havementioned Suresh Bhat, the abhangs, etc.) often have had their lyrics setto wonderful music. I'd like to add the name of Aarti Prabhu to thatlist--his poems have been beautifully complemented by Hridaynath's musicand Asha's voice in songs like "Gele dyaayche rahun tuzhe nakshatrachedeNe."Surajit Bose (half-Marathi, in case anyone's wondering about my typically Bengali name)

>The lover being called to is God, and the song expresses vairagya--the>renunciation of the world. This makes it a bhakti geet in addition to>being a bhavgeet. I believe songs of this kind are called>bhakti-shringara, where God is called upon as a lover, separation from>whom causes grief.

> I'd like to add the name of Aarti Prabhu to that>list--his poems have been beautifully complemented by Hridaynath's music>and Asha's voice in songs like "Gele dyaayche rahun tuzhe nakshatrache>deNe." 2b1af7f3a8